I hope to walk you through the story from my perspective. We begin by going Down the Rabbit Hole
Illustration by John Tenniel |
AnnaliseArt |
Illustration by John Tenniel |
Illustration by John Tenniel |
AnnaliseArt |
Illustration by John Tenniel |
I cannot remember which I first read: a Raymond Chandler or a James Hadley Chase. Both write racy thrillers. However, while Chandler has received significant literary attention, posterity has not pursued Chase. All I can proffer from memory is that, while Raymond Chandler had exquisite constructions which live on in the mind, the James Hadley Chase novels have not left much lingering.
Except for one story. It was in my early undergraduate years that I finally found my sort of friend. I lost touch with her after she left town to pursue studies in a big city. And I never quite found that kind of friendship later. But it was she who told me about Miss Shumway Waves Her Wand.
Naturally, a story about a bandit who becomes a sausage because of a curse and who is then eaten by a dog which then turns into a talking pooch is bound to fascinate. Well, let's admit that I have a taste for humour, for one thing. And, for another, whacky wit is irresistible to me. But it's not really everyone's cup of tea. Most prefer the sensational tales of money hungry men and women and the bitter ends they meet.
That is what Chase basically offers (aside from the abovementioned sausage story).
But who is Chase, you ask. Now, that is a charming story!
Like today's Lee Child, Chase was British. Like Child, Chase wrote about American gangsters. But how he came to do it is yet another fascinating tale. A salesman for books, Chase discovered that a particular novel was so well borrowed at the local library that it was always off the shelves. This gem was The Postman Always Rings Twice.
No Orchids for Miss Blandish (film) poster - Fair Use |
At the end of the day, the proof is in the pudding. So why not nibble at a James Hadley Chase today? I bet you won't be able to stop till you devour the book and that you might not stop till you've munched through any Chase that you can find.
There was a time when novels about doctors were popular. There were moving tales and funny stories. Somewhere along the way the stories grew dark and most medical fiction became scary. But, once upon a time, there was the Doctor series by Richard Gordon.
Every six months this orderly quiet is broken up like a road under a pneumatic drill. Three or four hundred students arrive from every hospital in London and from every medical school in the United Kingdom. Any country that accepts a British qualification is represented. There are brown, bespectacled Indians, invariably swotting until the last minute from Sir Leatherby Tidy's fat and invaluable _Synopsis of Medicine;_ jet-black gentlemen from West Africa standing in nervous groups and testing their new fountain-pens; fat, coffee-coloured Egyptians discussing earnestly in their own language fine points of erudite medicine; hearty Australians, New Zealanders, and South Africans showing no more, anxiety than if they were waiting for a pub to open; the whole diluted thoroughly by a mob of pale, fairly indifferent, untidy-looking British students conversing in accents from the Welsh valleys to Stirlingshire.
Neurologist and writer Oliver Sacks at the 2009 Brooklyn Book Festival. © Luigi Novi / Wikimedia Commons |
His books are, basically, case histories. It is the way he narrates things that takes what might be dry-as-dust and makes it fascinating to read. Migraine, 1970, is his first book but rather hefty in size.
“My firstborn, written in a burst (nine days!) in 1967, stimulated in part by working in a migraine clinic and in part by a wonderful book (Liveing’s On Megrim) written a century earlier.”
Thomas Daniell (1749-1840) - The Fort of Vellore in the Carnatic, India - 732241 - National Trust, public domain |
Hand-coloured aquatint engraving of the "A picturesque voyage to India, by the way of China" / by Thomas Daniell, R.A., and William Daniell, A.R.A. Wikimedia Commons |
By Source, Fair use |
The ship nosed its way through the morning mist, across a sea as smooth as milk. A faint and exciting smell came to us from the invisible shore, the smell of flowers, damp vegetation, palm oil, and a thousand other intoxicating scents drawn up from the earth by the rising sun, a pale, moist- looking nimbus of light seen dimly through the mists. As it rose higher and higher, the heat of its rays penetrated and loosened the hold the mist had on land and sea. Slowly it was drawn up towards the sky in long lethargically coiling columns, and gradually the bay and the coastline came into view and gave me my first glimpse of Africa.
I know that I visualized an ape about three years old, standing about three feet high. I got a rude shock when Chumley moved in.
He arrived in the back of a small van, seated in a huge crate. When the doors of his crate were opened and Chumley stepped out with all the ease and self-confidence of a film star, I was considerably shaken. Standing on his bowlegs in a normal slouching chimp position, he came up to my waist.He stood on the ground and surveyed his surroundings with a shrewd glance, and then he turned to me and held out one of his soft, pink-palmed hands to be shaken, with exactly that bored expression that one sees on the faces of professional hand shakers.
He seated himself in a chair, dropped his chain on the floor, and then looked hopefully at me. It was quite obvious that he expected some sort of refreshment after his tiring journey. I roared out to the kitchen for someone to make a cup of tea, for I had been warned that Chumley had a great liking for the cup that cheers.
As I poured the tea and milk into Chumeley’s mug and added three tablespoons of sugar, he watched me with a glittering eye and made soft “ ooing” noises to himself. I handed him the mug and he took it carefully in both hands. He tested the tea carefully with one lip stuck out, to see if it was too hot. As it was, he sat there and blew on it until it was the right temperature and then he drank it down.
Chumley’s crate was placed about fifty yards from the hut (next to a great gnarled tree stump to which I attached his chain) From there he could get a good view of everything that went on in and around the hut, and as we were working he would shout comments to me and I would reply.That night, when I carried Chumley’s food and drink of tea out to him, he greeted me with loud “ hoo hoos” of delight, and jogged up and down, beating his knuckles on the ground. Before he touched his dinner, however, he seized one of my hands in his and carried it to his mouth.
With some trepidation I waited as he carefully put one of my fingers between his great teeth and very gently bit it. Then I understood: in the chimpanzee world, to place your finger between another ape’s teeth is a greeting and a sign of trust. To place a finger in such a vulnerable position shows your confidence in the other’s friendliness.
His manners were perfect. He would never grab his food and start guzzling, as the other monkeys did, without first giving you a greeting, and thanking you with a series of his most expressive “ hoo hoos.” Then he would eat delicately and slowly, pushing those pieces he did not want to the side of his plate with his fingers. His only breach of table manners came at the end of a meal, for then he would seize his empty mug and plate and hurl them as far as possible.
... he is a monkey born from a stone who acquires supernatural powers through Taoist practices. After rebelling against heaven and being imprisoned under a mountain by the Buddha, he later accompanies the monk Tang Sanzang on a journey to retrieve Buddhist sutras from the West (India) where Buddha and his followers reside.
The Monkey King follows the humorous exploits of protagonist Wallace Nolasco, who finds himself in financial straits after being denied his dowry in hectic post-war Hong Kong, and must by guile better both himself and the moribund reputation of the Chinese house he has married into. The plot of The Monkey King, which is a family saga, divided into three sections, is driven by the tensions between Wallace and his father-in-law, the patriarchal Mr Poon.
On the whole Wallace avoided intimate dealings with the Chinese. Despite a childhood spent cheek by jaundiced jowl with the Cantonese in Macau, he still found the race arrogant and devious. Worse, they revelled in the confusion of the foreigner: turning blank faces to the barbarian and sneering behind his back. Like his fellow Portuguese, Wallace made the best of the situation. In fanciful moments, he saw the Chinese and himself as prisoners together in a long chain gang, the descendants of the original convicts.
Were you, reader, some day in spring, generally in the week before Easter, to take a walk through villages which we know, you might be ready to suppose that a general emigration was contemplated. You would see chairs and tables, kneading-toughs and cradles, bedsteads and bedding, all put out for an airing, while the busy cottagers are scrubbing and whitewashing, and perhaps painting and papering within doors. Neither is the practice confined to the poorer class only….
“Right,” says my mother, as we drive out of the hospital car park. “Now’s our chance to get to work on that bungalow.”
Even with both eyes fixed on the road, she must notice my alarm, because she takes her left hand off the wheel and places it on my knee and says, in that wheedling what-do-I-ever-ask-of-you tone, “Come on, Emma. If we do it together we’ll have that place bottomed in no time.”
Home from Uni for the Easter holidays, I’m supposed to be churning out an essay on the English civil war. I’m supposed to be searching for a McJob to tame my overdraft, or hanging out in the pub with friends I haven’t seen since Christmas. Unfortunately, what I’m supposed to be doing is of no consequence to my mother. Set against one of her projects, any plans of mine turn out to be as flimsy as cobwebs.
Thank you for these tinyparticles of ocean salt,pearl-necklace viruses,winged protozoans:for the infinite,intricate shapesof submicroscopicliving things.